Saturday, June 18, 2011

Doctor Who: The Space Museum

Received wisdom would suggest that The Space Museum consists of an excellent opening episode followed by three deeply lacklustre episodes. And while this won't be the case with all of the stories I'll be watching as part of the clunkers, in this case I feel little reason to argue with received wisdom. That said, the difference between the first episode and the remaining three is not as vast as I remembered it to be.

The first episode does what many Doctor Who stories have done well - it sets up an intriguing mystery at the same time as setting up a story that it was always going to be next to impossible to resolve satisfactorily. There is much to enjoy, including the ongoing revelations that the four time travellers might not actually be where they think they are (or perhaps when they think they are). It all builds to a satisfying cliffhanger as the TARDIS crew actually arrive and begin their desperate struggle to avoid becoming embalmed exhibits in the space museum.

Well, I say "desperate struggle", but what actually happens here is a sort of tepid, muted adventure that barely sees the Doctor, Ian, Barbara and Vicki breaking a sweat in their attempts to survive. Hell, at one point Barbara even complains that she, Ian and Vicki should stop standing around and complaining and actually do something. She's absolutely right, of course, but it is a bit of a problem when your characters start pointing out the flaws with the script - a bit like the moment at the beginning of the second episode when the corpulent oaf leading the planet complains about how boring his life is. I mean, that's our introduction to the planet, for God's sake, and it is a complaint about how boring it is. Still, at least it is accurate.

Because the planet Xeros has to be one of the dullest the Doctor has ever and will ever visit. The ruling elite are all slightly overweight colonial types dressed in the brightest of whites (a Daz commercial if ever there was one) while the rebels, if we can call the insipid bunch of black clothed weasels with stupid eyebrows rebels, just don't deserve the help of the regular cast. It is like planet of the Ken Clarkes against the planet of the Ed Milibands. By the time we see Daleks for the second time in this story at the very end, the revolution is over and very sadly it has been televised.

Don't get me wrong, the first episode isn't perfect. The scene where Vicki is stopped from sneezing is the sort of thing that an eight year old would write if they had watched too many crap cartoons. And, in part because it is never really explored properly, the talk of jumping a time track is never quite convincing (especially given the lame explanation for the events of the first episode right at the end of the story), even if it does lead to the story's most interesting and unsettling moments. Likewise, the following three episodes, for all the endless capture/escape/recapture padding and dreadful, childish lines about "ray guns" are not all bad. In particular, the scenes where the Doctor mocks his captor in the second episode are excellent and very Doctorish - and I say that as a fan who really does not rate Hartnell. In fact, Hartnell is on form throughout this story, making it a shame that he doesn't really appear in the third episode at all.

I guess The Space Museum couldn't really happen in today's Doctor Who. At some point, someone would make the writer tone down the first episode and raise his game with the final three. As a result, we'd have a bland, inoffensive and yet watchable Doctor Who story. Which is both a blessing and a curse, since we'd miss out on the boredom that makes up three quarters of The Space Museum, at the same time as never getting to see the really rather innovative and interesting first episode. And as a result The Space Museum is actually a good microcosm of the Hartnell era, which was experimental and therefore scaled some great heights at the same plumbing some terrible depths. And it has Daleks, the Hartnell era - it's all right here, in The Space Museum.

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3 Comments:

At 10:27 pm , Blogger Jim said...

At the risk of sounding like I have no mind of my own, I’d largely agree with all of that. The problem with The Space Museum is that it’s really two stories – one intriguing and the other wholly bland – welded together. The ‘jumping a time track’ idea would have been an interesting one to explore further, but sadly it’s ultimately used merely as a plot device to create a looming doom for our heroes to avoid. That’s a perfectly good way to create tension in a plot, but it does waste the potential of a very good setup.

I’d say that the setup could quite easily occur in Doctor Who today, but I’d like to think that what would happen in contemporary Who would be an exploration of the potential consequences, rather than just throwing the idea away with a cursory ‘we’ve arrived…’. It’s actually a quite Moffatian scenario; in episode two, for example, one could imagine our heroes observing themselves arrive on the un-jumped timeline but being unable to interact with / warn them as they proceed towards their doom (much as they cannot be seen by anyone in the museum or interact with its exhibits). In fact there could be three timelines to play with here, scrambled together; a jumped-line, a ‘true’ arrival line, and the line in the museum itself, where they are already exhibits. I can imagine Moffat revelling in that tangled little web… However, let’s acknowledge that the multiple-onscreen-doctors might have been a bit more difficult to achieve visually in the Hartnell era than today ;-)

To my mind, whether The Space Museum is a truly valid inclusion in The Clunkers is moot (now I come to think of it, ‘The Clunkers’ sounds a lot like the title of a lost – though not necessarily great – old Who story… those Clunkers, oooooh yes, they were really scary monsters when I was a child…). Ahem. Anyway, the first episode does give it quite a lot of class, albeit temporarily, maybe enough to save it from Room 101. How about ‘The Gunfighters’, through which I barely managed to stay awake? Both ‘The Aztecs’ and ‘The Romans’ have a certain soporific quality, too. I’d include ‘100,000BC’ in this little list, but as they hadn’t really started yet that’d be a bit unfair. Oh, and ‘The Rescue’ was pretty tedious too. At least ‘The Space Museum’ has a great, albeit wasted, idea.

Just my tenpennywoth! I rather like this project though, and it actually made we watch the damned thing again...

 
At 1:49 am , Blogger Jim said...

PS: Oh dear. Now I've just watched 'The Chase' (this is all your fault!) and it's on a whole new level of awfulness. 'The Space Museum' might be bland and a missed opportunity, but 'The Chase' is an almost unbroken parade of misconceived humour, cod acting and general misfires. I ask you - a stupid Dalek replying 'err...um...' when asked to calculate coordinates (and another coughing when emerging from a sandstorm)... Peter Purves' overheated rural American with body language eerily foreshadowing Magnus Pike... and then the effing Frankenstein monster. Granted it was the sixties, but what the hell was Terry Nation on? Only a rather good idea about the Mary Celeste and an appearance from the Mechanoids, who surely deserved their own series, serve to save the whole farrago from total disaster. Now there's a monster that the new series ought to revive. Hartnell clunker? This one!*

*and 'The Gunfighters'

 
At 12:50 pm , Blogger The Nameless Libertarian said...

I'd be inclined to agree - jumping time tracks, and the exploration of the consequences, sounds absolutely like something Moffat would relish exploring. And he'd do so in such a way as to provoke delight, debate and scorn. Which is much better than The Space Museum, which only really provokes scorn.

As for its inclusion in the Clunkers (the name is, in part, a reference to the Chumblies), it stands for me as it wastes such a good idea. Something like The Gunfighters was a pedestrian story done in a patronising and pedestrian way. The Chase (and I accept no responsibility for you having watched it, btw) has some great ideas nestling in among the terrible ideas like the coughing Dalek, Morton Dill and Dracula's Castle. As for the historical stories, I quite like them - although they do sometimes feel a little slow-moving. So The Space Museum is the clunker of the Hartnell era for me. Other choices, though, may prove to be more controversial...

Roll on The Dominators!

TNL

 

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